Yu-ichi Inoue(1916 - 1985)
OVERVIEW
Born in Tokyo in 1916, Yu-ichi Inoue studied calligraphy under Sōkyū Ueda for eight years from 1941 while working as an elementary school teacher.
Inoue began showing his work internationally soon after World War II, including in major exhibitions like the São Paulo Art Biennial and Documenta. His bold, dynamic creations set themselves apart from traditional calligraphy, spanning works centered on a single large kanji character—such as “貧 (hin)”—to dense compositions repeatedly inscribed with various kanji characters. Advocating for an art form that is open to all and free from the rigid conventions of the established calligraphy world, Inoue remained dedicated to further developing his expressive style and technique throughout his life. His practice extended beyond the confines of traditional calligraphy and gained recognition within the broader avant-garde discourse; it resonated with many significant artistic movements of the time, including Abstract Expressionism in the United States, Art Informel in Europe, and the Gutai Art Association in Japan. In 2016, a large-scale retrospective was held at the 21st Century Museum of Contemporary Art, Kanazawa to commemorate the centennial of the artist’s birth. Alongside renewed appreciation for postwar Japanese art, Inoue is garnering increased global attention as one of the most important Japanese artists of the twentieth century.
HISTORY
NEWS
KOTARO NUKAGA to participate in 'FRIEZE SEOUL 2025'
KOTARO NUKAGA is pleased to announce our participation in ‘Frieze Seoul 2025’, an international art fair held in COEX, Seoul, Republic of Korea from September 3 to 6. At Frieze Seoul 2025, KOTARO NUKAGA will present works by Yu-ichi Inoue (1916–1985), a pioneering figure of Japanese postwar avant-garde calligraphy movement. Declaring the “liberation of calligraphy,” Yu-ichi was an artist who sought to
Yu-ichi Inoue ‘To be honest, my writing is terrible — perhaps I should blame it on the brush‘
KOTARO NUKAGA(Tennoz)is pleased to present an exhibition of works by Yu-ichi Inoue, ‘To be honest, my writing is terrible—perhaps I should blame it on the brush‘, from February 15 to April 12, 2025. An advocate for calligraphy for all, Yu-ichi had no mentees, but would teach others via letter correspondence, sending works of rinsho as